When I started blogging my drawings I was working in small bound books (Moleskines), one drawing a day: bound drawings that somehow maintained a daily narrative, inseparable from their collective physical context. As time went on, the drawings became more complex and more enmeshed in an on-going thought process. They start one day and finish whenever they finish and I work in several sketchbooks at the same time, of various sizes. And the pages are now removable.
I work with internal (anatomy, a continuing fascination) and external (flux of experience and environment). And, over the last 10 years I’ve been experimenting with in-image captions, more and more in Spanish.
(Drawings are pencil, ink, watercolor, whatever on paper: various sketchbooks, going one book to the next. And the pages are now removable. All art copyright Sharon Frost, email@example.com).
Hay de todo: perro, flauta, guitarra y gorra. (Perroflautas en la calle. There;s everything: dog, flute, guitar and cap.) 8 x 10 in. double page spread; ink, watercolor, whatever, on Moleskine cahiier.
Seeing shadows of the Republican National Convention here in northern Spain makes it seem a bit surreal: both advantages and disadvantages in that. 8.3 x 11.7 in.; ink, watercolor, whatever on Canson Imagine mix media paper