When I started blogging my drawings I was working in small bound books (Moleskines), one drawing a day: bound drawings that somehow maintained a daily narrative, inseparable from their collective physical context. As time went on, the drawings became more complex and more enmeshed in an on-going thought process. They start one day and finish whenever they finish and I work in several sketchbooks at the same time, of various sizes. And the pages are now removable.
I work with internal (anatomy, a continuing fascination) and external (flux of experience and environment). And, over the last 10 years I’ve been experimenting with in-image captions, more and more in Spanish.
(Drawings are pencil, ink, watercolor, whatever on paper: various sketchbooks, going one book to the next. And the pages are now removable. All art copyright Sharon Frost, firstname.lastname@example.org).
La tranquilidad ansiosa, rota por un expectante en su teléfono durante más de una hora. (Waiting room: great expectations. The anxious tranquility, broken by someone on her phone for over an hour.) 8 x 12 double page spread; watercolor, ink, whatever, on Stillman & Birn Epsilon.
Vamos al cardiólogo intervencionista de Stephen. (The abyss between Brooklyn and Manhattan. We're going to Stephens interventional cardiologist.) 8 1/4 x 10 in. double page spread; ink, watercolor, whatever, on Moleskine cahier.