When I started blogging my drawings I was working in small bound books (Moleskines), one drawing a day: bound drawings that somehow maintained a daily narrative, inseparable from their collective physical context. As time went on, the drawings became more complex and more enmeshed in an on-going thought process. They start one day and finish whenever they finish and I work in several sketchbooks at the same time, of various sizes. And the pages are now removable.
I work with internal (anatomy, a continuing fascination) and external (flux of experience and environment). And, over the last 10 years I’ve been experimenting with in-image captions, more and more in Spanish.
(Drawings are pencil, ink, watercolor, whatever on paper: various sketchbooks, going one book to the next. And the pages are now removable. All art copyright Sharon Frost, firstname.lastname@example.org).
There are many names, the disappeareds, on the walls. We went there and came back by the 37 bus.
Parque de la Memoria is outside Buenos Aires proper and is a memorial to those who disappeared during Artentina's Dirty War (Guerra Sucia). The focus is the walls of names of the vanished (1969-1983). We looked for the name of writer Rodolfo Walsh, who died in 1977).