When I started blogging my drawings I was working in small bound books (Moleskines), one drawing a day: bound drawings that somehow maintained a daily narrative, inseparable from their collective physical context. As time went on, the drawings became more complex and more enmeshed in an on-going thought process. They start one day and finish whenever they finish and I work in several sketchbooks at the same time, of various sizes. And the pages are now removable.
I work with internal (anatomy, a continuing fascination) and external (flux of experience and environment). And, over the last 10 years I’ve been experimenting with in-image captions, more and more in Spanish.
(Drawings are pencil, ink, watercolor, whatever on paper: various sketchbooks, going one book to the next. And the pages are now removable. All art copyright Sharon Frost, email@example.com).
Trapped/packed in the tin can in the air: American Airlines impossibly small planes. At least I have Cortázar.) Sketchblog: http://sharonfrost.typepad.com/day_books 7 x 10 in. double page spread; watercolor, ink, whatever, on paper.
It was nice to get into our hotel in Madrid: with it's real wood floors. Almost 2 months of Andalucían tile floors, icy cold in winter, meant I was barefoot only in the shower. Shocking to once again see toes as I walked across the room. My connection with gravity was a little interrupted -- slightly harder to get my bearings. I do miss the home wood floors and my home yoga mat when I travel.
5 7/8 x 9in.; watercolor, ink,whatever, on Stonehenge paper.