When I started blogging my drawings I was working in small bound books (Moleskines), one drawing a day: bound drawings that somehow maintained a daily narrative, inseparable from their collective physical context. As time went on, the drawings became more complex and more enmeshed in an on-going thought process. They start one day and finish whenever they finish and I work in several sketchbooks at the same time, of various sizes. And the pages are now removable.
I work with internal (anatomy, a continuing fascination) and external (flux of experience and environment). And, over the last 10 years I’ve been experimenting with in-image captions, more and more in Spanish.
(Drawings are pencil, ink, watercolor, whatever on paper: various sketchbooks, going one book to the next. And the pages are now removable. All art copyright Sharon Frost, firstname.lastname@example.org, sharonfrost.net).
...y hemos estado sin Internet durante más de una semana. Anoche we got it back. Bravo Alvaro! Las curvas españolas en Vitoria-Gasteiz. (I need some grounding. The world is whirling: Charlottesville, Trump, y North Korea. And we've been without stable internet for over a week. Last night we got it back. Bravo Alvaro! Spanish curves in Vitoria-Gasteiz.)
5 1/2 x 11 in double page spread; watercolor, ink, whatever, on Global Art Materials Handbook.
. En el autobús de Logroño a V-G, La Democracia de Leonard Cohen se escuchó en el sistema de sonido entre 90 minutos de música popular Española.
5 1/2 x 11 in double page spread; watercolor, ink, whatever, on Global Art Materials Handbook. (On the bus from Logroño to V-G, Leonard Cohen's Democracy was heard on the sound system amidst 90 minutes of Spanish popular music.) — con Stephen Wagner en Vitoria-Gasteiz, Pais Vasco, Spain.