When I started blogging my drawings I was working in small bound books (Moleskines), one drawing a day: bound drawings that somehow maintained a daily narrative, inseparable from their collective physical context. As time went on, the drawings became more complex and more enmeshed in an on-going thought process. They start one day and finish whenever they finish and I work in several sketchbooks at the same time, of various sizes. And the pages are now removable.
I work with internal (anatomy, a continuing fascination) and external (flux of experience and environment). And, over the last 10 years I’ve been experimenting with in-image captions, more and more in Spanish.
(Drawings are pencil, ink, watercolor, whatever on paper: various sketchbooks, going one book to the next. And the pages are now removable. All art copyright Sharon Frost, firstname.lastname@example.org).
Pero sólo tengo una hoja que queda en este cuaderno, por lo que tendrás que creerme sobre los "ambos pies". (But I only have one page left in this notebook, so you'll have to believe me on the "both feet".) 7 x 7 in.; watercolor, ink, whatever on Stillman & Birn zeta.
Pero, al fin, todas las salas de espera son parecidas. Car & Driver. (Memorial Sloan Kettering is more luxurious, but, in the end, all waiting rooms are alike. Car & Driver) 7 x 14 in. double page spread; watercolor, in, whatever, on Stonehenge.