When I started blogging my drawings I was working in small bound books (Moleskines), one drawing a day: bound drawings that somehow maintained a daily narrative, inseparable from their collective physical context. As time went on, the drawings became more complex and more enmeshed in an on-going thought process. They start one day and finish whenever they finish and I work in several sketchbooks at the same time, of various sizes. And the pages are now removable.
I work with internal (anatomy, a continuing fascination) and external (flux of experience and environment). And, over the last 10 years I’ve been experimenting with in-image captions, more and more in Spanish.
(Drawings are pencil, ink, watercolor, whatever on paper: various sketchbooks, going one book to the next. And the pages are now removable. All art copyright Sharon Frost, firstname.lastname@example.org).
of the Man in Charge 24 de enero, 2017. (Stephen reflexionando sobre la beligerancia banal* del Hombre a Carga) 5 1/2 x 11 in. double page spread; watercolor, ink, whatever, on Global Art Materials Landmark.
...Un clásico, con cabellos preadolescentes. Un empate. (Watching Barcelona play Real Madrid, a Classico, with preadolescent heads of hair. A tie.) 5 1/2 x 11 in. double page spread; watercolor, ink, whatever on Landmark paper.
Sin lugar de duda, Stephen es mi carácter de punto de vista. (Watching Barcelona play Málaga. Without a doubt, Stephen is my point-of-view character.) 5 1/2 x 11in. double page spread; watercolor, ink, whatever, on Land.Mark.