Day Books, the art-as-life of Sharon Frost, one page after another.

Seismic shift. 6 April, 2012.

7 x 14 in. double-page spread; watercolor, ink, whatever, on Stonehenge paper.

Something to stand on, between me and losing ground. It's the bone alone.

This drawing also appears in Johnathan Fitzgordon's blog.

Y boludo, "antes de que" tome el subjuntivo. 30 marzo, 2012. (And boludo, "antes de que" takes the subjunctive.)

(In the Brooklyn Commune, reading in Spanish, time passes.)

6 x 8 in; watercolor, ink, whatever, on Stillman & Birn paper.

Stand your ground. 27 March, 2012.

6 x 8 in.; watercolor, ink, whatever, on Stillman & Birn paper.

Con más o menos duda en la linea F. 16 Marzo, 2012. (With more or less doubt, on the F train.)

(It's possible that the Subjunctive might be a fiction.)

7 x 14 in. double-page spread; watercolor, ink, whatever, on Stonehenge paper.

Shoulder on: due process: coracoid. 20 March, 2012.

7 x 14 in. double-page spread; watercolor, ink, whatever, on Stonehenge paper.

La vuelta de español: tres trenes (M/F/otro F), leyendo "Subjuntivo" 9 Marzo, 2012.

7 x 14 in. double-page spread; watercolor, ink, whatever on Stonehenge paper.

(Church Street stop, and we change for the last time.)

 

Hip Stitch. 5 March, 2012.

5 7/8 x 9 in.; watercolor, ink, whatever, on paper.

Los peligros del subte, la linea F. 2 Marzo, 2012. (The dangers of the F train.)

7 x 14 in. double-page spread; watercolor, ink, whatever, on Stonehenge paper. (Everywhere there are instructions for survival.)

El camino al español es duro por el subte (linea F). 24 febrero, 2012. (The road to Spanish is hard on the subway.)

8 x 10 in. double-page Moleskine cahier spread; ink, watercolor, whatever on paper.

(It's winter and finally it's turned cold -- it's almost March.)

Time slides. Weegee (1899-1968), Shelley (1792-1822). They did share a century.

7 x 14 in. double-page spread; watercolor, ink, whatever, on Stonehenge paper.

Time to kill between seeing the Weegee exhibition at International Center of Photography and attending an opening preview of Shelley's Ghost at The New York Public Library. What a contrast.