When I started blogging my drawings I was working in small bound books (Moleskines), one drawing a day: bound drawings that somehow maintained a daily narrative, inseparable from their collective physical context. As time went on, the drawings became more complex and more enmeshed in an on-going thought process. They start one day and finish whenever they finish and I work in several sketchbooks at the same time, of various sizes. And the pages are now removable.
I work with internal (anatomy, a continuing fascination) and external (flux of experience and environment). And, over the last 10 years I’ve been experimenting with in-image captions, more and more in Spanish.
(Drawings are pencil, ink, watercolor, whatever on paper: various sketchbooks, going one book to the next. And the pages are now removable. All art copyright Sharon Frost, firstname.lastname@example.org).
Tengo el ritmo, en cierto modo, tal vez un poco sincopada. Necesito un monitor. Stephen lee mientras espera. (I've got rhythm, in a way, maybe a little syncopated. I need a monitor. Stephen reads while he waits.) 8 x 12 in. double page spread; ink, watercolor, whatever on Stillman & Birn epsilon
(The birthday. In spite of the rooftops of Cerro Bellavista, the Reading Man is still reading. The t-shirt: I have seen the Messias play.) 8 x 12 in. double page spread; ink, watercolor, whatever, on paper