When I started blogging my drawings I was working in small bound books (Moleskines), one drawing a day: bound drawings that somehow maintained a daily narrative, inseparable from their collective physical context. As time went on, the drawings became more complex and more enmeshed in an on-going thought process. They start one day and finish whenever they finish and I work in several sketchbooks at the same time, of various sizes. And the pages are now removable.
I work with internal (anatomy, a continuing fascination) and external (flux of experience and environment). And, over the last 10 years I’ve been experimenting with in-image captions, more and more in Spanish.
(Drawings are pencil, ink, watercolor, whatever on paper: various sketchbooks, going one book to the next. And the pages are now removable. All art copyright Sharon Frost, email@example.com).
(On the F train. Of course there is one (9/11) every year. And in NYC we talk about it and think about that day in 2001.: where we were and when we found out about it. "I was getting ready for work." "I was walking to work." The air was full of smoke." All of that.)
8 x 12 in.; double page spread. Watercolor, ink, whatever, on Stillman & Birn Zeta.
(The birthday. In spite of the rooftops of Cerro Bellavista, the Reading Man is still reading. The t-shirt: I have seen the Messias play.) 8 x 12 in. double page spread; ink, watercolor, whatever, on paper