Day Books, the art-as-life of Sharon Frost, one page after another.

El G, rómpido. Brooklyn. 5 de mayo, 2013. The G, broken in Brooklyn.

 

5 7/8 x 9 in.; watercolor, ink, whatever, on Stonehenge paper.

" At first glance, it seemed the same as always, but better, more lively." Roberto Bolaño.

La linea L, alguna parte en Brooklyn. 20 de abríl, 2013. (The L, somewhere in Brooklyn.)

Pero por más esfuerzos que hizo no pudo imaginarse a nuestra poeta en esa situacíon. Roberto Bolaño, Estrella Distante.  (Try as he might he coulldn't imagine our poet in that situation.)
                           5 7/8 x 9 in.; watercolor, ink, whatever, on Stonehenge paper

Vale, pues sí, en el F. 17 de abril, 2012. Okay, yes, on the F.

" And it's that there time hangs heavy.  Nobody keeps track of the hours, nobody worries about how the years add up.  The days begin and they're over."  Juan Rulfo.

5 7/8 x 9 in.; watercolor, ink, whatever, on Stonehenge paper.

No se apoye sobre la puerta en la linea F. 15 de marzo, 2013. (Don't lean on the door, on the F train)

5 7/8  9 in.; watercolor, ink, whatever, on Stonehenge paper.

Cayendo los pantalones en la linea F. 8 de marzo, 2013. (Falling down pants on the F train.)

                                (Distant star: Roberto Bolaño on my Kindle.  I keep looking.)
                                5 7/8 x 9 in.; watercolor, ink, whatever, on Stonehenge paper.

Me da igual. La linea F. Brooklyn. 22 de febrero, 2013. (It's all the same to me. F train. Brooklyn)

                                         5 7/8 x 9 in.; watercolor, ink, whatever, on paper.

Estoy perdida en Roberto Bolaño. Los demás se pierden en otra cosa. El la F, en Brooklyn. 8 de de febredo, 2013. (I'm lost in Roberto Bolaño. The others are lost in something else, on the F train in Brooklyn).

                    7 x 10 in double page spread; watercolor, ink, whatever, on paper.

A pie, en la linea F. 1 de febrero, 2013. (Standing, on the F train)

                          7 x 10 in. double page spread; watercolor, ink, whatever, on paper.

La linea F: lectura de metro en Brooklyn. Para mí, García Márquez. 25 de enero, 2013. (The F train: reading underground in Brooklyn. For me, García Márquez)

                        7 x 10  in. double page spread; watercolor, ink, whatever, on paper.

La linea F: en camino de ver Infancia Clandestina por Benjamin Ávila. Stephen, leyendo El Alma de Gardel por Mario Levrero. 14 de enero, 2013. (F train: on the way to see Clandestine Childhood by Benjamin Ávila. Stephen reading El Alma de Gardel by Mar

                            7 x 10 in. double page spread; watercolor, ink, whatever, on paper.