Day Books of Sharon Frost, turning the page.

El camino al español es duro por el subte (linea F). 24 febrero, 2012. (The road to Spanish is hard on the subway.)

8 x 10 in. double-page Moleskine cahier spread; ink, watercolor, whatever on paper.

(It's winter and finally it's turned cold -- it's almost March.)

Time slides. Weegee (1899-1968), Shelley (1792-1822). They did share a century.

7 x 14 in. double-page spread; watercolor, ink, whatever, on Stonehenge paper.

Time to kill between seeing the Weegee exhibition at International Center of Photography and attending an opening preview of Shelley's Ghost at The New York Public Library. What a contrast.

Joint is jumping. 20 February, 2012.

5 7/8 x 9 in.; watercolor, ink, whatever, on paper.

El lenguaje del Túnel: rumiando sobre un día execrable. 17 febrero, 2012. (The language of the Tunnel: ruminating on an execrable day.)

7 x 14 in. double-page spread; watercolor, ink, whatever, on Stonehenge paper.

 

The monologue is a little extreme for the subway.

 

Once again, I find myself in my post-Spanish class daze, on the F train. (Otra vez, me ecuentro en un aturdido de posclase de español.)

Después de la clase de español: el subte: linea F: de ay!! que. 10 febrero, 2012. (After Spanish class: the subway: the F train.)

7 x 14 in. double-page spread; watercolor, ink, whatever, on Stonehenge paper.

Tres Túneles, por Ernesto Sábato. 7 febrero, 2012.

7 x 14 in. double-page spread; watercolor, ink, whatever, on Stonehenge paper.

(The second time: the mind of Castel remains twisted.)

Neck and neck. 2 February, 2012.

7 x 14 in. double-page spread; watercolor, ink, whatever, on Stonehenge paper.