El lenguaje del Túnel: rumiando sobre un día execrable. 17 febrero, 2012. (The language of the Tunnel: ruminating on an execrable day.)

When I started blogging my drawings I was working in small bound books (Moleskines), one drawing a day: bound drawings that somehow maintained a daily narrative, inseparable from their collective physical context. As time went on, the drawings became more complex and more enmeshed in an on-going thought process. They start one day and finish whenever they finish and I work in several sketchbooks at the same time, of various sizes. And the pages are now removable.

I work with internal (anatomy, a continuing fascination) and external (flux of experience and environment). And, over the last 10 years I’ve been experimenting with in-image captions, more and more in Spanish.

(Drawings are pencil, ink, watercolor, whatever on paper: various sketchbooks, going one book to the next. And the pages are now removable. All art copyright Sharon Frost, [email protected], sharonfrost.net).

Sharon Frost

7 x 14 in. double-page spread; watercolor, ink, whatever, on Stonehenge paper.

The monologue is a little extreme for the subway.

Once again, I find myself in my post-Spanish class daze, on the F train. (Otra vez, me ecuentro en un aturdido de posclase de español.)