Time slides. Weegee (1899-1968), Shelley (1792-1822). They did share a century.

When I started blogging my drawings I was working in small bound books (Moleskines), one drawing a day: bound drawings that somehow maintained a daily narrative, inseparable from their collective physical context. As time went on, the drawings became more complex and more enmeshed in an on-going thought process. They start one day and finish whenever they finish and I work in several sketchbooks at the same time, of various sizes. And the pages are now removable.

I work with internal (anatomy, a continuing fascination) and external (flux of experience and environment). And, over the last 10 years I’ve been experimenting with in-image captions, more and more in Spanish.

(Drawings are pencil, ink, watercolor, whatever on paper: various sketchbooks, going one book to the next. And the pages are now removable. All art copyright Sharon Frost, sharon.frost@gmail.com, sharonfrost.net).

Sharon Frost

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My Work and Its Context.

Sketchbooks on Flickr.
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Manifest Magazine Number 8.
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February 26, 2012

Time slides. Weegee (1899-1968), Shelley (1792-1822). They did share a century.

7 x 14 in. double-page spread; watercolor, ink, whatever, on Stonehenge paper.

Time to kill between seeing the Weegee exhibition at International Center of Photography and attending an opening preview of Shelley's Ghost at The New York Public Library. What a contrast.

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Day Books of Sharon Frost, turning the page.

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February 26, 2012

Time slides. Weegee (1899-1968), Shelley (1792-1822). They did share a century.

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