Day Books of Sharon Frost, turning the page.

La enfermidad de los sanos. 28 abríl, 2012. (The sickness of the healthy)

6 x 8 in.; watercolor, ink, whatever, on Stillman & Birn paper.

(The sickness of the well.)

La burbuja temporal. 27 abríl, 2012.

8 1/4 x 10 in. double-page  Moleskine cahier spread; watercolor, ink, whatever, on paper.

(The time bubble on the F train.))

In search of the hip. 23 April, 2012.

6 x 8 in.; watercolor, ink, whatever, on Stillman & Birn paper.

The drawing also appears in Johnathan Fitzgordon's blog.

Trabajando en el piso. 18 abríl, 2012. (Working on the floor.)

8 1/2 x 10 in. double-page Moleskine spread; watercolor, ink, whatever, on paper.

(Close to my subject but out of focus, not out of step.)

La luz es como el agua en la linea F en Brooklyn. 13 abril, 2012. (Light is like water.)

(We're all here, navigating the light, in the subway.)

6 x 8 in. double-page spread; watercolor, ink, whatever, on Stillman & Birn paper.

The trip home from 3 hours of Spanish class almost always has my head buzzing between languages. I was reading a Gabriel García Márquez short story on my Kindle.  We had been working with it in class: children with a rowboat, floating on light from a broken lightbulb in the living room: water, like light. Magic images like that can make a lot of sense on the subway.

Estoy ensimismada en las palabras de Cortázar, con Kindle, en Brooklyn. 8 abril, 2012. Lost in the words of Cortázar, with Kindle, en Brooklyn)

6 x 8 in.; watercolor, ink, whatever, on Stillman & Birn paper.

(El Perseguidor, with dictionary, mate and lights.)

Seismic shift. 6 April, 2012.

7 x 14 in. double-page spread; watercolor, ink, whatever, on Stonehenge paper.

Something to stand on, between me and losing ground. It's the bone alone.

This drawing also appears in Johnathan Fitzgordon's blog.