When I started blogging my drawings I was working in small bound books (Moleskines), one drawing a day: bound drawings that somehow maintained a daily narrative, inseparable from their collective physical context. As time went on, the drawings became more complex and more enmeshed in an on-going thought process. They start one day and finish whenever they finish and I work in several sketchbooks at the same time, of various sizes. And the pages are now removable.
I work with internal (anatomy, a continuing fascination) and external (flux of experience and environment). And, over the last 10 years I’ve been experimenting with in-image captions, more and more in Spanish.
(Drawings are pencil, ink, watercolor, whatever on paper: various sketchbooks, going one book to the next. And the pages are now removable. All art copyright Sharon Frost, [email protected], sharonfrost.net).
Se filtra la luz, empapada de lluvia, por la puerta de cristal y sobre los azulejos. 7 de noviembre, 2012. (The light is filtered, rain-soaked, through the glass door and over the tiles.)
Es el día después de las elecciones en los Estados Unidos. Uno de nuestros paraguas se rompió.
(It's the day after the elections in the United States. One of our umbrellas is broken.)
5 7/8 x 9 in.; watercolor, ink, whatever, on Stonehenge paper.
Comments
Se filtra la luz, empapada de lluvia, por la puerta de cristal y sobre los azulejos. 7 de noviembre, 2012. (The light is filtered, rain-soaked, through the glass door and over the tiles.)
Es el día después de las elecciones en los Estados Unidos. Uno de nuestros paraguas se rompió.
(It's the day after the elections in the United States. One of our umbrellas is broken.)
5 7/8 x 9 in.; watercolor, ink, whatever, on Stonehenge paper.