When I started blogging my drawings I was working in small bound books (Moleskines), one drawing a day: bound drawings that somehow maintained a daily narrative, inseparable from their collective physical context. As time went on, the drawings became more complex and more enmeshed in an on-going thought process. They start one day and finish whenever they finish and I work in several sketchbooks at the same time, of various sizes. And the pages are now removable.
I work with internal (anatomy, a continuing fascination) and external (flux of experience and environment). And, over the last 10 years I’ve been experimenting with in-image captions, more and more in Spanish.
(Drawings are pencil, ink, watercolor, whatever on paper: various sketchbooks, going one book to the next. And the pages are now removable. All art copyright Sharon Frost, [email protected], sharonfrost.net).
(The portable defribrillator vest goes with me (these days) always -- even to tax preparation.) 8 x 12 in. double page spread; water, ink, whatever, on Stillman & Birn Epsilon.
manhattan: The doctor: the waiting room: quiet: except for the man in the row ahead of me, snoring. 7 x 14 in. double page spread; ink, watercolor, whatever, on Stillman & Birn Zeta.
8 x 12 in. double page spread; watercolor, ink, whatever, on Stillman & Birn Epsilon. From Prospect Park to Brighton Beach: one of the spines of Brooklyn.