Lámpara de Marruecos. Brooklyn. La ventana de la escalera de incendio, reja de seguridad entornada. 15 de mayo, 2014.

When I started blogging my drawings I was working in small bound books (Moleskines), one drawing a day: bound drawings that somehow maintained a daily narrative, inseparable from their collective physical context. As time went on, the drawings became more complex and more enmeshed in an on-going thought process. They start one day and finish whenever they finish and I work in several sketchbooks at the same time, of various sizes. And the pages are now removable.

I work with internal (anatomy, a continuing fascination) and external (flux of experience and environment). And, over the last 10 years I’ve been experimenting with in-image captions, more and more in Spanish.

(Drawings are pencil, ink, watercolor, whatever on paper: various sketchbooks, going one book to the next. And the pages are now removable. All art copyright Sharon Frost, [email protected], sharonfrost.net).

Sharon Frost

(Lamp from Morocco. Brooklyn: the fire escape window. Window gate ajar.)
7 x 10 in.; watercolor, ink, whatever on Stillman & Birn Epsilog.