Day Books of Sharon Frost, turning the page.

Rotation station: don't get unhinged. 25 June, 2014.

7 x 10 in.; watercolor, ink, whatever, on Stillman & Birn Epsilon

This drawing was inspired by some recent classes I've taken from Kristen Davis at Yogasana.

El cuaderno: hay que ser muy preparado para esperar en la linea F. 19 de junio, 2014. (The notebook: you have to be very prepared to wait on the F line.)

 

7 x 14 in. double page spread; watercolor, ink, whatever, on Stillman & Birn Zeta

Reconstructed reality: underpinnings. 16 June, 2014. (Another musing on Victor Valdes.)

 

7 x 10 in.; watercolor, ink, whatever, on Stillman & Birn Epsilon

Sala de espera, Weill Cornell. ¿Por qué hay siempre un televisor y porqué es siempre encendido? 9 de junio, 2014.

(Why is there always a television and why is it always on?)
7 x 14 in. double page spread; watercolor, ink, whatever, on Stillman & Birn Zeta.

Sala de espera. Espero que sí. Manhattan en Brooklyn. 4 de junio, 2014. (Waiting room. I hope so.)

7 x 10 in.; watercolor, ink, whatever, on Stillman & Birn Epsilon

Sala de espera, Medicina Nuclear. Tiempo es pesado. Pruebas. 28 de mayo, 2014 (Waiting room, Nuclear Medicine. Time is heavy. Tests)

7 x 10 in.; watercolor, ink, whatever, on Stillman & Birn Epsilon

Carnegie Hall. Arvo Part. Escuchar con atención. 31 de mayo, 2014. (Listening with attention.)

7 x 14 in.double page spread; watercolor, ink, whatever, on Stillman & Birn Zeta

Carroll Park. Brooklyn. Al pasar el tiempo en el parque antes de ir a Manhattan para Arvo Part. 31 de mayo, 2014.

(Passing time in the park before going to Manhattan for Arvo Part.)
blog:  http://sharonfrost.typepad.com/day_books
7 x 14 in.; watercolor, ink, whatever on Stillman & Birn Zeta.