Como un prisma, como un espejo roto: los tejados de Cerro Bellavista de nuevo. 20 de julio, 2014. (Like a prism, like a broken mirror: the rooftops of Cerro Bellavista again.)

When I started blogging my drawings I was working in small bound books (Moleskines), one drawing a day: bound drawings that somehow maintained a daily narrative, inseparable from their collective physical context. As time went on, the drawings became more complex and more enmeshed in an on-going thought process. They start one day and finish whenever they finish and I work in several sketchbooks at the same time, of various sizes. And the pages are now removable.

I work with internal (anatomy, a continuing fascination) and external (flux of experience and environment). And, over the last 10 years I’ve been experimenting with in-image captions, more and more in Spanish.

(Drawings are pencil, ink, watercolor, whatever on paper: various sketchbooks, going one book to the next. And the pages are now removable. All art copyright Sharon Frost, sharon.frost@gmail.com, sharonfrost.net).

Sharon Frost

8 x 12 in. double page spread; watercolor, ink, whatever on Stillman & Birn Zeta.