Stephen leyendo en Brooklyn Commune, con café. Un punto de vista. 26 de marzo, 2015.

When I started blogging my drawings I was working in small bound books (Moleskines), one drawing a day: bound drawings that somehow maintained a daily narrative, inseparable from their collective physical context. As time went on, the drawings became more complex and more enmeshed in an on-going thought process. They start one day and finish whenever they finish and I work in several sketchbooks at the same time, of various sizes. And the pages are now removable.

I work with internal (anatomy, a continuing fascination) and external (flux of experience and environment). And, over the last 10 years I’ve been experimenting with in-image captions, more and more in Spanish.

(Drawings are pencil, ink, watercolor, whatever on paper: various sketchbooks, going one book to the next. And the pages are now removable. All art copyright Sharon Frost, [email protected], sharonfrost.net).

Sharon Frost

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My Work and Its Context.

Sketchbooks on Flickr.
Urban Sketchers
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Manifest Magazine Number 8.
I'm featured (and interviewed) in this issue.
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Sketching the line. Toronto.
I was included in this exhibition, Spring 2014.

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March 27, 2015

Stephen leyendo en Brooklyn Commune, con café. Un punto de vista. 26 de marzo, 2015.

(Stephen reading in the Brooklyn Commune, with coffee. A point of view.)
8 x 12 double page spread; watercolor, ink, whatever on Daler Rowney Ebony sketchbook.

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March 27, 2015

Stephen leyendo en Brooklyn Commune, con café. Un punto de vista. 26 de marzo, 2015.

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