Day Books of Sharon Frost, turning the page.

New York Methodist. Cardiología. Sala de espera. Sala de expectaciones. Siempre hay un televisor. 30 de septiembre, 2015.

(Cardiology. Waiting room. Room of expectations.  There's always television.)
8 x 12 in. double page spread; watercolor, ink, whatever on Stillman & Birn epsilon.

Al dentista. El subte, Linea F: Brooklyn - Manhattan. 29 de septiembre, 2015. (To the dentist, on the subway.)

6 x 12  in.double page spread; watercolor, ink, whatever on Flip Sketch.

El subte, linea C. Voy a cortar mi pelo. Manhattan. 24 de septiembre. 2015.

Pelo en corona Basquiat a travels del coche.
(Going to get my haircut.  Hair in a Basquiat crown across the car.)
6 x 12 in. double page spreadc; watercolor, ink, whatever in Flip Sketch.

 

 

 

 

Diseño para un corte de pelo. (Haircut design. No Basquiat crown for me.)

 

Gravitas: both feet on the ground. 20 September, 2015.

6 x 8 in.; watercolor, ink, whatever on Stillman & Birn epsilon.

El ambiente es pesado. Sala de espera. NYU Langone, Trinity Wellness. 17 de septiembre.

(The atmosphere is heavy. Waiting room. NYU Langone, Trinity Wellness.)
8 x 12 in. double-page spread; watercolor, ink; whatever, on Stillman & Birn epsilon.

En mi estudio en Brooklyn: monitor automático de presión de muñeca. 12 de septiembre, 2015.

(In my studioin Brooklyn: wrist blood pressure monitor.)
6 x 12 in. double page spread; ink, watercolor, whatever, on Flip-Sketch

This drawing forms part of what I considerto be my "Examined Life"  series.

NYU Langone Trinity Wellness. Sala de espera. Hay Internet. 9 de septiembre, 2015.

(Lower Manhattan. Waiting room.  There is Internet)
8 x 12 in. double page spread; watercolor, ink, whatever, on Stillman & Birn epsilon

Facing the sacrum. The geometry is infinite. 7 september, 2015.

6 x 12  in.double page spread; watercolor, ink, whatever on Flip Sketch.