When I started blogging my drawings I was working in small bound books (Moleskines), one drawing a day: bound drawings that somehow maintained a daily narrative, inseparable from their collective physical context. As time went on, the drawings became more complex and more enmeshed in an on-going thought process. They start one day and finish whenever they finish and I work in several sketchbooks at the same time, of various sizes. And the pages are now removable.
I work with internal (anatomy, a continuing fascination) and external (flux of experience and environment). And, over the last 10 years I’ve been experimenting with in-image captions, more and more in Spanish.
(Drawings are pencil, ink, watercolor, whatever on paper: various sketchbooks, going one book to the next. And the pages are now removable. All art copyright Sharon Frost, [email protected], sharonfrost.net).
(Me costó un montón de dinero.) So many figures of speech are based on the body. We are truly self-referential. 5 1/2 x 11 in. double page spread; ink, watercolor, whatever, on Global Art Materials on Handbook.
(Los Impuestos. Cita con nuestra contadora. La vuelta.) 5 1/2 x 11 in. double page spread; watercolor, ink, whatever, on Global Art Materials Handbook.
Someone else is sleeping to Manhattan. (Brooklyn. Tren F. Vamos a español en Idlewild. Otra persona esta durmiendo a Manhattan.) 5 1/2 x 11 in. double page spread; watercolor, ink, whatever, on Global Art Materials Handbook.