When I started blogging my drawings I was working in small bound books (Moleskines), one drawing a day: bound drawings that somehow maintained a daily narrative, inseparable from their collective physical context. As time went on, the drawings became more complex and more enmeshed in an on-going thought process. They start one day and finish whenever they finish and I work in several sketchbooks at the same time, of various sizes. And the pages are now removable.
I work with internal (anatomy, a continuing fascination) and external (flux of experience and environment). And, over the last 10 years I’ve been experimenting with in-image captions, more and more in Spanish.
(Drawings are pencil, ink, watercolor, whatever on paper: various sketchbooks, going one book to the next. And the pages are now removable. All art copyright Sharon Frost, sharon.frost@gmail.com, sharonfrost.net).
Brooklyn. G train. On the way to dinner with Art. 28 de junio, 2017.
After over 2 hours on the phone with Iberia. (En el camino a cenar con Art, despues de más de 2 horas en el teléfono con Iberia.) 5 1/2 x 11 in. double page spread; watercolor, ink, whatever, on Global Art Materials Handbook.
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Brooklyn. G train. On the way to dinner with Art. 28 de junio, 2017.
After over 2 hours on the phone with Iberia. (En el camino a cenar con Art, despues de más de 2 horas en el teléfono con Iberia.) 5 1/2 x 11 in. double page spread; watercolor, ink, whatever, on Global Art Materials Handbook.