When I started blogging my drawings I was working in small bound books (Moleskines), one drawing a day: bound drawings that somehow maintained a daily narrative, inseparable from their collective physical context. As time went on, the drawings became more complex and more enmeshed in an on-going thought process. They start one day and finish whenever they finish and I work in several sketchbooks at the same time, of various sizes. And the pages are now removable.
I work with internal (anatomy, a continuing fascination) and external (flux of experience and environment). And, over the last 10 years I’ve been experimenting with in-image captions, more and more in Spanish.
(Drawings are pencil, ink, watercolor, whatever on paper: various sketchbooks, going one book to the next. And the pages are now removable. All art copyright Sharon Frost, [email protected], sharonfrost.net).
Hemos regresado a Brooklyn. La hora de la lavandería, 71OP. 8 de septiembre, 2018.
(Back in Brooklyn. Time for laundry at 71OP.) 8 3/4 x 10 in double page spread; ink, watercolor, whatever, on Moleskine cahier, glued into Stillman and Birn epsilon soft cover. Lamy Safari, Pilot Metropolitan EFs. #travel #laundry #sharonfrost #urbansketchers
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Hemos regresado a Brooklyn. La hora de la lavandería, 71OP. 8 de septiembre, 2018.
(Back in Brooklyn. Time for laundry at 71OP.) 8 3/4 x 10 in double page spread; ink, watercolor, whatever, on Moleskine cahier, glued into Stillman and Birn epsilon soft cover. Lamy Safari, Pilot Metropolitan EFs. #travel #laundry #sharonfrost #urbansketchers