When I started blogging my drawings I was working in small bound books (Moleskines), one drawing a day: bound drawings that somehow maintained a daily narrative, inseparable from their collective physical context. As time went on, the drawings became more complex and more enmeshed in an on-going thought process. They start one day and finish whenever they finish and I work in several sketchbooks at the same time, of various sizes. And the pages are now removable.
I work with internal (anatomy, a continuing fascination) and external (flux of experience and environment). And, over the last 10 years I’ve been experimenting with in-image captions, more and more in Spanish.
(Drawings are pencil, ink, watercolor, whatever on paper: various sketchbooks, going one book to the next. And the pages are now removable. All art copyright Sharon Frost, [email protected], sharonfrost.net).
Argentina cayó en los penales. (Watching the Final en Pizzería Buenos Aires Tango. Argentina lost en the penalty phase.) 5 x 7 in. double page spread; ink, watercolor, whatever in Molesking cahier.
(Sanjuaninos and the new scarf: for empanadas and reading.) Blog: http://sharonfrost.typepad.com/day_books 12 x 8 in.; watercolor, ink, whatever, on Stillman & Birn Zeta
(Back on Billinghurst. It's not Boogie Street. It's not a banjo. But there is a traffic jam.) 10 x 14 in. double page spread; watercolor, ink, whatever, on Stillman & Birn Epsilon.