Day Books of Sharon Frost, turning the page.

Museo Guggenheim. Alberto Giacometti. 27 de junio, 2018.

Mujer reclinada que sueña. (Reclining woman who dreams.)
3 1/2 x 11 in double page spread; watercolor, ink, whatever, on Stillman and Birn epsilon soft cover.

#guggenheim #giacometti #sculpture

Brooklyn. 71OP. 22 de septiembre, 2017.

Un accidente de arte (sangriente). Mi navaja multiusa se me cayó en mi dedo de pie. Una herida fea. (A bloddy art accident. My utility knife fell on my toe. An ugly injury.)
5 1/2 x 11 in. double page spread; watercolor, ink, whatever, on GLobal Art Materials Handbook.
#toes #feet #bandages #self portrait

Escultura en el Parque de la Florida. Wynton Marsalas y el banco de jazz: de Koko Rio,

...con nombres de músicos que han tocado en Vitoria Gasteiz. (Sculpture in the Parque de la Florida. Wynton Marsalis and the jazz bench, by Koko Rico, with names of musicians who have played in Vitoria Gasteiz.)
8 x 12 in. double page spread; watercolor, ink, whatever, on Stillman & Birn epsilon.

En mi estudio, en Brooklyn, prefiero trabajar en el suelo. 3 de marzo, 2016.

(In my studio in Brooklyn, I prefer to work on the floor.)
8 1/4 x 10 in. double page spread; watercolor, ink,

Bilbao. Museo de Bellas Artes. William Tucker. Caballos. 8 de agosto, 2015. (Horses)

5 1/2 x 7 in. double page spread; watercolor, ink. whatever, (with bleed-through) on Moleskine cahier
"But inherent in the word(statue) is the idea of standing. To set a stone upright in a cleared space can be seen as the first sculptural act. Standing implies consciousness. The upright stone acquires a meaning which separates it from other stones before it is shaped into an image, a statue." William Tucker.

Grasping at straws. 24 December, 2011.

7 x 14 in. double-page spread; watercolor, ink, whatever, on Stonehenge paper.

Málaga. Museo Picasso. Exposición Alberto Giacometti. 29 Noviembre, 2011.

(His drawings and paintings have always fascinated me.  There was a film showing the artist making a portrait: I;m enchanted by his mannor of construciton.  It was thrilling to sketch a head along with him, just getting the feel of the building form.)

7 x 10 in. double page spread; watercolor, ink, whatever, on paper.

 

Stood up. October 10/11, 2008.

Drip dry.

We  leave the fascinating city of Buenos Aires on Monday.