(Tourists, near the Port.)
8 1/2 x 10 1/2 double page spread; watercolor, ink, whatever, on Moleskine cahier.
Categories
- Anatomy (293)
- Architecture (66)
- Argentina (104)
- Art (9)
- Books (72)
- Brooklyn (342)
- Cafes (75)
- Casa Rosaleda (51)
- chile (9)
- COVID-19 (114)
- Cádiz (81)
- Death (17)
- Events (4)
- Examined Life (71)
- Food and Drink (54)
- Gardens (65)
- Heart (18)
- Interiors (370)
- Jerez de la Frontera (82)
- Music (13)
- Public transportation. (226)
- Rain (9)
- Reading (230)
- Reading Man Series (77)
- Self Portraits (156)
- Sketchbook Project (68)
- Spain (286)
- Spain 2018 Summer (28)
- Spanish (858)
- Stephen (177)
- Still life (231)
- Streets (115)
- Subways (293)
- Travel (397)
- Waiting rooms (62)
My Work and Its Context.
- Sketchbooks on Flickr.
- Urban Sketchers
- Sharon's photos on Flickr.
- Manifest Magazine Number 8.
I'm featured (and interviewed) in this issue. - My image store.
- Sketching the line. Toronto.
I was included in this exhibition, Spring 2014.
Places to visit:
Categories
- Anatomy
- Architecture
- Argentina
- Art
- Books
- Brooklyn
- Cafes
- Casa Rosaleda
- chile
- COVID-19
- Cádiz
- Death
- Events
- Examined Life
- Food and Drink
- Gardens
- Heart
- Interiors
- Jerez de la Frontera
- Music
- Public transportation.
- Rain
- Reading
- Reading Man Series
- Self Portraits
- Sketchbook Project
- Spain
- Spain 2018 Summer
- Spanish
- Stephen
- Still life
- Streets
- Subways
- Travel
- Waiting rooms
November 22, 2016
November 06, 2016
Cádiz. Naturaleza muerte con los zapatos del viaje. 4 de noviembre.
(Still life with traveling shoes.)
8 1/2 x 10 1/2 double page spread; ink, watercolor, on Moleskine cahier
July 23, 2016
Feve Cercanía de Oviedo a Llanes. El lector y su cuerdo. 21 de Julio, 2016.
(Train from Oviedo to Llanes. The reader and his cord).
8 1/4 x 10 in. double page spread; watercolor, ink, whatever, on Moleskine cahier
June 06, 2016
La linea F. El silencio subterraneo. Manhattan, Avenida 2. 3 de junio, 2016
¿Es este un trabajo o un propósito? (The silence underground. Is this a job or a purpose.)
8 1/4 x 10 in. double page spread; watercolor, ink, whatever, on Moleskine cahier.
November 26, 2015
Stephen leyendo en La Alameda Apodaca, nuestro última mañana en Cádiz. 23 de noviembre, 2015.
8.3 x 11.7; watercolor, ink, whatever, on Canson paper.
June 21, 2015
El suelo de mi estudio, con Eduardo Galeano. Anteojos. Anteojos de sol. 19 de junio, 2015.
(The floor of my studio, with Eduardo Galeano. Glasses. Sunglasses.)
7 x 14 in. double page spread; water color, ink, whatever, on Stillman & Birn zeta
November 17, 2014
Stephen leyendo Tomás Eloy Martinez. Cadiz. Habana Café. 16 de noviembre, 2014. (Stephen reading Tomás Eloy Martinez.)
8 x 12 in. double-page spread; ink, watercolor, whatever on Stillman & Birn epsilon
October 08, 2014
Julio Cortázar en la linea F -- cien años después de su nacimiento. 5 de octubre, 2014.
8 x 12 in. double page spread; ink, watercolor, whatever, on Stillman & Birn
May 12, 2014
El mismo Stephen leyendo el mismo Plata Quemada. (en Hamilton's, Brooklyn) 8 de mayo, 2014. (The same Stephen reading the same Plata Quemada.)
7 x 10 in.; watercolor, ink, whatever, on Stillman & Birn Epsilon
March 27, 2014
Stephen leyendo Plata Quemada (de Piglia) en Brooklyn. 26 de marzo, 2014. (Stephen reading Plata Quemada, by Piglia, in Brooklyn.)
7 x 10 in.; ink, watercolor, whatever (plus Koh-I-Noor Magic Pencil), on Stillman & Birn Epsilon.