8 x 12 in. double page spread; watercolor, ink, whatever, on Stillman & Birn Zeta
Categories
- Anatomy (293)
- Architecture (66)
- Argentina (104)
- Art (9)
- Books (72)
- Brooklyn (342)
- Cafes (75)
- Casa Rosaleda (51)
- chile (9)
- COVID-19 (114)
- Cádiz (81)
- Death (17)
- Events (4)
- Examined Life (71)
- Food and Drink (54)
- Gardens (65)
- Heart (18)
- Interiors (370)
- Jerez de la Frontera (82)
- Music (13)
- Public transportation. (226)
- Rain (9)
- Reading (230)
- Reading Man Series (77)
- Self Portraits (156)
- Sketchbook Project (68)
- Spain (286)
- Spain 2018 Summer (28)
- Spanish (858)
- Stephen (177)
- Still life (231)
- Streets (115)
- Subways (293)
- Travel (397)
- Waiting rooms (62)
My Work and Its Context.
- Sketchbooks on Flickr.
- Urban Sketchers
- Sharon's photos on Flickr.
- Manifest Magazine Number 8.
I'm featured (and interviewed) in this issue. - My image store.
- Sketching the line. Toronto.
I was included in this exhibition, Spring 2014.
Places to visit:
Categories
- Anatomy
- Architecture
- Argentina
- Art
- Books
- Brooklyn
- Cafes
- Casa Rosaleda
- chile
- COVID-19
- Cádiz
- Death
- Events
- Examined Life
- Food and Drink
- Gardens
- Heart
- Interiors
- Jerez de la Frontera
- Music
- Public transportation.
- Rain
- Reading
- Reading Man Series
- Self Portraits
- Sketchbook Project
- Spain
- Spain 2018 Summer
- Spanish
- Stephen
- Still life
- Streets
- Subways
- Travel
- Waiting rooms
September 03, 2014
July 31, 2014
Nuestros últimos días en Valparaiso. El paisaje urbano de Cerro Bellavista se mantiene unido con inquietid. 30 de julio, 2014.
Los pancitos para el dia de default Argentino.
8 x 12 in. double page sprread; watercolor, ink, whatever, on Stillman & Birn Zeta.
(Our last days in Valparaiso. The urban landscape is uneasily maintained. The bread rolls for Argentina's day of default.)
July 26, 2014
Valparaiso. El cumpleaños. A pesar de los tejados de Cerro Bellavista, el hombre que lee todavía esta leyendo. 26 de julio, 2014. La camiseta: yo vi jugar al Messias.
(The birthday. In spite of the rooftops of Cerro Bellavista, the Reading Man is still reading. The t-shirt: I have seen the Messias play.)
8 x 12 in. double page spread; ink, watercolor, whatever, on paper
July 21, 2014
Como un prisma, como un espejo roto: los tejados de Cerro Bellavista de nuevo. 20 de julio, 2014. (Like a prism, like a broken mirror: the rooftops of Cerro Bellavista again.)
8 x 12 in. double page spread; watercolor, ink, whatever on Stillman & Birn Zeta.
July 13, 2014
Cerro Bellavista, Valparaiso. Mirando hacia abajo en el museo del cielo abierto. Graffiti de pan. 12 de julio, 2014.
(Looking down to the open air museum. Bread graffiti.)
7 x 10 in.; watercolor, ink, whatever on paper.
July 10, 2014
Valparaiso. Las lineas de perspectiva son irrelevantes en Cerro Bellavista. 10 de julio, 2014. (Lines of perspective are irrelevant on Cerro Bellavista.)
7 x 10 in.; watercolor, ink, whatever, on Stillman & Birn Epsilon
July 09, 2014
El caos cohesivo de Valparaiso. 8 de julio, 2014. (The cohesive chaos of Valparaiso.)
7 x 14 in. double page spread; watercolor, ink, whatever, on Stillman & Birn Zeta
July 06, 2014
En el avion (LANChile), entre Nueva York y Santiago, mirando Inside Llewyn Davis. 1 de jullio,l 2014.
(On the plane (LANChile), between New York and Santiago, watching Inside Llewyn Davis)
7 x 14 in. double page spread; watercolor, ink, whatever, on Stillman & Birn Zeta
July 04, 2014
En el aeropuerto (JFK).El vuelo a Santiago debería haber salido a las ocho -- ahora a las tres. 30 de junio, 2014.
(In the airport. The flight to Santiago should have left at 8:00 -- it's now at 3 a.m.)
7 x 14 in. double page spread; watercolor, ink, whatever, on Stillman & Birn Zeta