When I started blogging my drawings I was working in small bound books (Moleskines), one drawing a day: bound drawings that somehow maintained a daily narrative, inseparable from their collective physical context. As time went on, the drawings became more complex and more enmeshed in an on-going thought process. They start one day and finish whenever they finish and I work in several sketchbooks at the same time, of various sizes. And the pages are now removable.
I work with internal (anatomy, a continuing fascination) and external (flux of experience and environment). And, over the last 10 years I’ve been experimenting with in-image captions, more and more in Spanish.
(Drawings are pencil, ink, watercolor, whatever on paper: various sketchbooks, going one book to the next. And the pages are now removable. All art copyright Sharon Frost, [email protected], sharonfrost.net).
(F ( F train in Brooklyn. To the audiologist. Fresh. The subway is the lifeblood of NYC.) 3 1/2 x 11 in double page spread; watercolor, ink, whatever, on Stillman and Birn Epsilon soft cover. #ftrain#subways#audiology
(Anxiety on the F train in the Age of Coronavirus.) 3 1/2 x 11 in double page spread; watercolor, ink, whatever, on Stillman and Birn Epsilon soft cover. #ftrain #coronavirus #brooklyn
Going home after the vax. Crowded subway. 10 de febrero, 2021.) 3 1/2 x 11 in double page spread; watercolor, ink, whatever, on Stillman and Birn Epsilon soft cover.#vaccine #subways