When I started blogging my drawings I was working in small bound books (Moleskines), one drawing a day: bound drawings that somehow maintained a daily narrative, inseparable from their collective physical context. As time went on, the drawings became more complex and more enmeshed in an on-going thought process. They start one day and finish whenever they finish and I work in several sketchbooks at the same time, of various sizes. And the pages are now removable.
I work with internal (anatomy, a continuing fascination) and external (flux of experience and environment). And, over the last 10 years I’ve been experimenting with in-image captions, more and more in Spanish.
(Drawings are pencil, ink, watercolor, whatever on paper: various sketchbooks, going one book to the next. And the pages are now removable. All art copyright Sharon Frost, [email protected], sharonfrost.net).
Regresando a NYC. (Returning to NYC) 8 3/4 x 10 in double page spread; ink, watercolor, whatever, on Moleskine cahier, glued into Stillman and Birn epsilon soft cover. #travel #airplanes #sharonfrost #moleskine
La cola para billetes. (Bus station. The ticket line.) 8 1/2 x 9 in double page spread; watercolor, ink, whatever, on Moleskine cahier, glued into Stillman and Birn epsilon soft cover. #segovia #stations #sharonfrost #urbansketchers
(Train station) 5 1/2 x 11 in double page spread; watercolor, ink, whatever, on Hahnemuhle D & S #vitoria gasteiz #stations #sharonfrost #urbansketchers
Vitoria Gasteiz. De la ventana. 29 de agosto, 2018. 3 1/2 x 11 double page spread; watercolor, ink, whatever, on Stillman and Birn epsilon soft cover. #vitoriagasteiz #sharonfrost #windows
Es un día bochornoso. (It’s a muggy day.) 9 x 12 in double page spread; watercolor, ink, whatever, on Stillman and Birn epsilon soft cover. #vitoriagasteiz #sharonfrost #plazas #stillmanandbirn
(Saturday in the Old City.) 9 x 12 in double page spread; watercolor, ink, whatever, on Stillman and Birn epsilon soft cover. #vitoriagasteiz #sharonfrost #plazas #stillmanandbirn